![]() ![]() Were, but this cannot really be resolved here. Today considerable debate as to how isolated the tunes in Appalachia In the Appalachians, but Sharp did not discuss these. He believed-and most wouldĪccept-that at least some of the tunes were representative of a muchĮarlier time and were less altered by outside influences than most of Others on the enormously high quality of the material he was finding,Īnd Shirley Collins discusses this also. ![]() Sharp commented often in letters to Mrs Storrow, Mrs Campbell, and Visit that the Country Dance & Song Society of America (CDSS) dates Mrs Campbell as collector of thirty-nine songs). Of the existence of this repository of living tradition from Olive DameĬampbell during his first visit to North America in 1915 (Sharp credits Help from Mrs James Storrow of Lincoln, Massachusetts, and Sharp learned Sharp made in North Carolina, Virginia, Kentucky, and Tennessee, with This is a selection from the enormous collection (1700 tunes) that That being said, I do have some comments and reservations, which I But even if you are luckyĮnough to own the full collection, there is some very worthwhile stuff If you do not have the two-volume set of Sharp's AppalachianĬollection (English Folk Songs from the Southern Appalachians, 1932, now Anyone with an interest inĪppalachian tradition should buy this lovely little book. London: English Folk Dance & Song Society in association with Retrieved from ĭear Companion: Appalachian Traditional Songs and Singers from theĬompiled and edited by Elaine Bradtke, Mike Yates, and Malcolm
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